tag:blogger.com,1999:blog-78668638685607527112024-03-12T16:46:24.479-07:00The Shakespeare Foundation of SpainManuel Ángel Conejerohttp://www.blogger.com/profile/03956175216867779192noreply@blogger.comBlogger7125tag:blogger.com,1999:blog-7866863868560752711.post-47801264103406386542012-02-06T06:30:00.000-08:002012-02-13T02:14:01.060-08:001- CONTACTS<span class="caption">Find us at The Politecnic University of Valencia </span><br />
<span class="caption">(Av. Tarongers Acceso R)</span><br />
<br />
<span class="caption">tel. 660 721 426</span><br />
<span class="caption"> </span><br />
<span class="caption">studioactores@studioactores.es</span><br />
<span class="caption">secretaria@fundacionshakespeare.es</span><br />
<span class="caption"><br /></span>Manuel Ángel Conejerohttp://www.blogger.com/profile/03956175216867779192noreply@blogger.comtag:blogger.com,1999:blog-7866863868560752711.post-54925066234342696372012-02-06T04:51:00.001-08:002012-02-13T02:15:57.299-08:007- DEGREES<b>IN CONSTRUCTION</b>Manuel Ángel Conejerohttp://www.blogger.com/profile/03956175216867779192noreply@blogger.comtag:blogger.com,1999:blog-7866863868560752711.post-90298979570037436152012-02-06T04:25:00.003-08:002016-01-03T09:33:56.350-08:006- ON ‘FUNDACIÓN SHAKESPEARE’ and the OLD YOUTH THEATRE ‘TEATREJOVE’ (detailed information)<br />
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<span lang="EN-US" style="mso-ansi-language: EN-US;">TEATREJOVE’S HISTORY<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">1.-THEATRE BY YOUNG ACTORS<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">‘TEATREJOVE’, the Group founded by FUNDACIÓN SHAKESPEARE OF SPAIN (FSE)
back in 1985/6, reemerges in Madrid with the show “Hoy se ensaya Hamlet” (<i style="mso-bidi-font-style: normal;">Hamlet </i>will be rehearsed tonight<i style="mso-bidi-font-style: normal;">) </i>Manuel Ángel Conejero, Chairman of
Fundación Shakespeare, is the one who gives a boost to this new Project with
the kind support of the British Council of Spain. The Group, born in Valencia,
is almost<span style="mso-spacerun: yes;"> </span>25 years old and Prof.
Conejero himself formed it, becoming allies of<span style="mso-spacerun: yes;">
</span>THE NATIONAL YOUTH THEATRE OF GREAT BRITAIN. ‘TEATREJOVE’ (or YOUTH
COMPANY of FUNDACIÓN SHAKESPEARE) still wills to be a place for Theory and
Theatrical praxis for youngsters, including in this programme candidates from
all backgrounds at the permanent Workshops of Actor Training. In these
Workshops, the main goal is the training driven to improve the CRAFT OF THE
ACTOR.<o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p><br /></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">2.-PROFESSIONAL VENTURES FROM FSE AND ‘TEATREJOVE’<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;">Alongside this project, which enhances its
effectiveness in a systematic way, another project of staging productions
emerged, somehow more ambitious. The aim was seeking a way to integrate the
draft of<span style="mso-spacerun: yes;"> </span>TEATREjove and the one of FSE into
the great profession, so that both the<span class="apple-converted-space"><span style="font-family: Calibri; mso-bidi-font-family: Calibri;"> </span></span>work
performed by young candidates and the texts translated by the Team of
Translators of FSE itself, had the possibility of connecting with theatrical
reality, with the well-known world known as <span style="mso-spacerun: yes;"> </span>"the profession".<span class="apple-converted-space"><span style="font-family: Calibri; mso-bidi-font-family: Calibri;"> </span></span>It was the case of “Macbeth” (1980) at the Rialto
Theater and the Teatro Español in Madrid, as well as “El Rey Lear” (“King Lear”
(1982), both directed by Miguel Narros, with a cast which included <span style="mso-spacerun: yes;"> </span>Fermi Reixach and Pep Munne, Juan Gea, Lluís
El Sifoner, Empar<span class="apple-converted-space"><span style="font-family: Calibri; mso-bidi-font-family: Calibri;"> </span></span>Ferrer, relying on
the “big size theatre”... <span style="mso-spacerun: yes;"> </span>Sometimes,
however, without leaving <span style="mso-spacerun: yes;"> </span>the idea of a </span><span lang="EN-US" style="font-family: "MS Mincho"; mso-ansi-language: EN-US; mso-bidi-font-family: "MS Mincho";"></span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;">show to which the public is used to, it was
decided to include the most experienced formers of ‘TEATREjove’,<span style="mso-spacerun: yes;"> </span>the recent graduates: “As You Like It”, was a
good example directed by Pierre Constant in 1986, including actors, today leading
roles on many regional and national shows, e.g. the examples of CARLES
SANJAIME, JAIME PUJOL AND CARMEN DEL VALLE. We must also mention “Romeo and
Juliet” (1987), directed by Edward Wilson, at the Olympia Theatre in Valencia,
which was shown not only in our city but also travelled to London, in a trip
that also undertook “Macbeth” –this one headed by Edward Wilson with ‘TEATREjove’,<span class="apple-converted-space"><span style="font-family: Calibri; mso-bidi-font-family: Calibri;"> </span></span>which also was performed in Valencia and Almagro
in 1990.<o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-add-space: auto;">
<span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;"><br />
Other plays which are worth mentioning are: “The Tempest” directed by Edward
Sanderson (1990) and “Cat on a Hot Tin Roof” (1996), a project of professional
actors directed by Mario Gas.<span class="apple-converted-space"><span style="font-family: Calibri; mso-bidi-font-family: Calibri;"> </span></span>And
another big project: “King Lear” (1997), directed again by Miguel Narros and “Three
Noble Friends”, written by Conejero and<span style="mso-spacerun: yes;"> </span>led by Rafael Cruz and Conejero<span style="mso-spacerun: yes;"> </span>himself (1997).<o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-add-space: auto;">
<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-add-space: auto;">
<span lang="EN-US" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">It can be stated that from the
beginning of 20st Century (with the work done by ASTRANA MARIN translating the
Complete Works of Shakespere) nothing of this level had taken place in our
country. Eg The fact that new productions were organized based on new
translations, in a renewed scenic style undertaken by directors of prestige.
And this was the aim –we must repeat on and on- :to widen the field of action
so that the productions including the young actors could be known in circles of
prestige. And so has happened.<o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-add-space: auto;">
<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-add-space: auto;">
<span lang="EN-US" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">An important turning point in
this process always was thee visiting of<span style="mso-spacerun: yes;">
</span>THE NATIONAL YOUTH THEATRE OF GREAT BRITAN, the fruit of which was a
coalition of the FUNDACION SHAKESPEARE with BRIAN &LEE, directors.
This<span style="mso-spacerun: yes;"> </span>was an ideal opportunity to educate
our young actors exchanging experiences with those of the UK, in a nice mixture
of different levels of education, social status etc. missing up<span style="mso-spacerun: yes;"> </span>in an idel community of young artists
exchanging experiences…Our actors would play at the West end and the English
Youth Theatre in our major venues both in Valencia and in Madrid…Thus the
encounter of JAIME PUJOL,CARLES SAN JAIME,ALEJO SAURAS or<span style="mso-spacerun: yes;"> </span>DANIEL CRAIG was made<span style="mso-spacerun: yes;"> </span>possible</span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;">.<o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-add-space: auto;">
<span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;"><o:p> </o:p></span> </div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-add-space: auto;">
<span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;">We can say –with no fear to be wrong-<span style="mso-spacerun: yes;"> </span>that most of the actors todays playing in
Valencia, and a good number of those who play in Madrid, come from our project,
after experimenting ann strategy that would take our productions to EDIMBURGH,NEW
YORK, LOS ANGELES, HAVANA…mainly playing pieces written for the purpose by
MANUEL ANGEL CONEJERO<span style="mso-spacerun: yes;"> </span>under the
heteronym DIONIS-BAYER (his second surname) himself being included as an actor
and director, again accompanied my Rafael Cruz. Of those plays some should be
mentioned : HAMLET IN THE MIRROR (played booth in Spanish and in English) <b style="mso-bidi-font-weight: normal;">Tres</b> Nobles Amigos (Three Noble
Kinsmen) played in Spanish and I´m not King Lear (NO SOY EL REY LEAR>)
played in both languages and always including in the cast, Manuel angel
Conejero.<o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-add-space: auto;">
<span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-add-space: auto;">
<span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Calibri;"><br /></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">3.-DIDACTICS
OF THE THEATRE and THEATRE PROMOTION in LATIN/AMERICA<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Between
1998 and 2008 the emphasis was placed on a thorough task of Drama and
Theatre<span style="mso-spacerun: yes;"> </span>Teaching, organizing regular
courses in Madrid at the CATEDRA /LABORATORIO run by MANUEL ANGEL CONEJERO, in
the new Madrid premises, transferring all the activities from Valencia to the
capital of Spain. On top of these Programme of Theatre Teaching, there was a
new interest: to show our system in a place of South America with a good
tradition in Theatre, so Havana was chosen to present our repertory (HAMLET IN
THE MIRROR,NO SOY EL REY LEAR (I´M NOT KING LEAR and EL PRIMO DE LA HABANA) at
the HUBERT DE BLANCK THEATRE casting for Lear PANCHO GARCIA, an actor of great
reputation in Cuba, and PABLO MENASANCH, once a student of ours.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">This
activity in Cuba included the opening of a YOUTH THEATRE at the HAVANA POLYTECHNIC(CUJAE)ensemble
formed to perform HAMLET by Shakespeare, and an ANTHOLGY OF LORCA´S PLAYS<o:p></o:p></span></div>
<!--EndFragment--></div>
Manuel Ángel Conejerohttp://www.blogger.com/profile/03956175216867779192noreply@blogger.comtag:blogger.com,1999:blog-7866863868560752711.post-4807394026258004572012-02-06T04:25:00.001-08:002012-02-14T03:54:57.726-08:005- ON ‘FUNDACIÓN SHAKESPEARE’ and the OLD YOUTH THEATRE ‘TEATREJOVE’ (sumarized information)<!--[if gte mso 9]><xml>
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<span lang="EN-US">It is 20 years ago that the promotion of young Actors and Youth
Companies took form. In those days THE BRITISH COUNCIL in Madrid
and Valencia
showed a great interest on our project. The leading Spanish Press (EL PAIS)
praised this task deviced for young actors, a theatre action with no precedent
in our country. So we can read on EL PAÍS of February 1987 which stated:</span></div>
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<br /></div>
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<b><i><span lang="EN-US">“Another of the activities of FUNDACIÓN SHAKESPEARE is… Actor Training
and Youth Theatre Production. It all commenced with a Production of As you like
it (Pierre Constant) now to be followed by a Romeo & Juliet (Winston and
Lee) where the cast was formed by young talented actors chosen in a very strict
process of selection such as Carles Sanjaime, Jaime Pujol, Carmen Del Valle…
taking as a basis of performance the new translation which is about to be
issued. This great event was performed by the so called “Teate Jove” under the
direction of Edward Wilson, director of the British National Youth Theatre and
assessed by Brian Lee. It all was under the coordination of Prof. Manuel Ángel
Conejero”.</span></i></b></div>
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<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: 0.0001pt;">
<span lang="EN-US">This activity was highly beneficial for several years, accomplishing a
big amount of projects building bridges between Valencia, London and others,
where a wide number of actors took part .Some of them ,<span> </span>after a number of years,have found<span> </span>a national and international renown both in
cinema and theatre (Sergio Peris-Mencheta, Enrique Arce, Alejo Sauras, Jaime
Pujol, Carles San Jaime, Carmen Del Valle, Nacho Fresneda and the so peculiar
case of Daniel Craig, casted as the modern and widely known James Bond
character). Those stand as some of the names , amongst a vast list of
professional and crafted people.</span></div>
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<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: 0.0001pt;">
<span lang="EN-US">The method happened to be attractive and was quite simple: learn acting
by acting, in an actors’<span> </span>WORKSHOP
fashion (nowadays divided into ACTING SCHOOL and YOUTH COMPANY), led by a team
of professionals formed at that time by Edward Wilson and Brian Lee (from the
National Youth Theatre, London) and Manuel Ángel Conejero –director of the
Profect- was responsible of training the actors.</span></div>
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<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: 0.0001pt;">
<span lang="EN-US">Now, several years later, after years of crafting and experiencing,
Seminars and workshops in Madrid, La Habana,
Bogotá, Armenia, Edinburgh, New York, Los Angeles… using Dramatic Art in front
of the camera as well as on stage, the eventuality of a new Youth Company
floats in the air: NEW YOUTH COMPANY, with the willing of exhibit as a school
and WORKSHOP/LABORATORY and pass the final test of showing results in front of
the public, works and stagings, in a regular way. It definitely sounds simple,
evident indeed, but the formula still stands as unique and peculiar our
country.</span></div>
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<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; margin-bottom: 0.0001pt;">
<span lang="EN-US">With “Shakespeare in the Park” (2007), “Lorca, Lorca” (2008), “Hoy se
ensaya Hamlet” (2008-2009) and “Hamlet Express” (2009), we’ve been able to test
once again such methodology with renewed energy and projects, being “Hamlet
Express” staged in the FESTIVAL D’ESTIU-SAGUNT A ESCENA on July 2009. So
happened with “Hamlet, Hamlet!” (Olympia Theatre, May 2010), with a great
success and acceptance.</span></div>Manuel Ángel Conejerohttp://www.blogger.com/profile/03956175216867779192noreply@blogger.comtag:blogger.com,1999:blog-7866863868560752711.post-3400151411179812732012-02-06T04:23:00.001-08:002012-02-13T03:12:24.136-08:004- SHAKESPEARE PUBLISHINGS & TRANSLATIONS<style>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGHjPLTR63_gOSniPw7wc0KdbM9UW4GmjxaDAHSXJtppIq3oAjBVWa4R4UAf1bFG-6QS4lXaog4FGRMpblA03YKzRvS9F2mdMSJznkcsxoesZUK4gu-Lbb2Bh-BFeyc3fbimJCUFBi-Hha/s1600/hamlet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGHjPLTR63_gOSniPw7wc0KdbM9UW4GmjxaDAHSXJtppIq3oAjBVWa4R4UAf1bFG-6QS4lXaog4FGRMpblA03YKzRvS9F2mdMSJznkcsxoesZUK4gu-Lbb2Bh-BFeyc3fbimJCUFBi-Hha/s320/hamlet.jpg" width="194" /></a></div>
<br />
<br />
<span lang="EN-US">Group of translators and editors on the work of William Shakespeare.-
This Group was born as a result of the first Shakespeare Encounters, willing to
be a THEORETICAL reflexion that would set the bases for stage-writing, actors’
training, starting from the SCHOOL and TRANSLATION of Shakespeare’s work , on
whose origin took part emblematic figures such as Jan Kott, T.B. Spencer or
Giorgio Melchiori… The aim was to reach a moment where the ability of editing
and translating Shakespeare into Spanish could be developed. Old trained Manuel
Angel Conejero, José Vicente Martínez Luciano and Vicente Forés as linguists
and Drama Specialists since the purpose of translating was to design a School
for the Actors, with the great support of the poet Jenaro Talens. This has
given fruits already consolidated and its texts having been published in the
leading Publisher CATEDRA/LETRAS UNIVERSALES since years ago, with a great
acceptance both of critics and readers all around the Hispanic world. This team
has been a reference and a ground where all young translators, actors and
dramatists have found a level of excellence, having nowadays become Scholars of
repute: Dr. Pilar Ezpeleta, Dr. Vicent Montalt, Dr. Miguel Teruel, Dr. Jesús
Tronch…</span><br />
<br />
<div style="color: #351c75;">
<span lang="EN-US"><a href="http://www.uv.es/%7Efse/ediciones.html">SEE ALL SHAKESPEARE PUBLISHINGS</a></span></div>
</div>Manuel Ángel Conejerohttp://www.blogger.com/profile/03956175216867779192noreply@blogger.comtag:blogger.com,1999:blog-7866863868560752711.post-45133702753531342672012-02-06T04:22:00.001-08:002012-02-06T04:41:43.018-08:003- ACTING SCHOOLManuel Ángel Conejerohttp://www.blogger.com/profile/03956175216867779192noreply@blogger.comtag:blogger.com,1999:blog-7866863868560752711.post-62087508033171153042012-02-06T04:20:00.000-08:002012-02-13T02:09:10.405-08:002- OUR DEPARTMENTS1.-ACTING SCHOOL of the FSE (FUNDACION SHAKESPEARE DE ESPAÑA): Permanent Intensive Training Course for Beginners and Others: “The Road from Text to Stage” is the Generic Title in our Methodology, to all Private Diplomas e.g. GRADES AND MASTER DEGREES, as inscribed in the Ministerial Bulletin (BOE February 2nd 1999)
*Courses: From Monday to Thursday
*Hours: 5pm to 8pm
*Our course departs from the idea that all acting students (no more than 15) are organized in a learning block as in a Theatre Company situation.<br />
<br />
2.-One YOUTH COMPANY (“LA FUNDACIÓN”), the origin of which is in the old well based TEATREJOVE , where all our activities took shape in the 80´s and is now formed by candidates of the ACTING SCHOOL, where every Friday LESSONS BECOME REHEARSALS.<br />
<br />
3.-INSTITUTO SHAKESPEARE . Group of Shakespeare Translators and Editors. This is an old task commenced before the 80´s, the results of which are published and internationally distributed by the reputed PUBLISHERS CATEDRA/Letras Universales (Madrid /Spain)
More about us and our Project
Email: secretaria@fundacionshakespeare.es
Director: MANUEL ANGEL CONEJEROManuel Ángel Conejerohttp://www.blogger.com/profile/03956175216867779192noreply@blogger.com